2006-08-09 Walking Boy Walking Boy, 2006 marker on paper, 285 x 210 cm collection CMC agnès b. shown in: “New Sundays”, Galerie du Jour agnès b., Paris, France (2008) “Robert Estermann. Manor Kunstpreis Luzern 2007”, Museum of Art Lucerne, Switzerland (solo show) “Heimatflimmern”, Brandenburgischer Kunstverein, Potsdam, Germany (2006) bibliography: Kunstmuseum Luzern, “Robert Estermann, Pleasure, Habeas Corpus, Motoricity. The Great Western Possible”, exhibition catalogue, Edition Fink, ISBN 978-3-03746-105-1, 2007, Zürich (monographical) see also: Untitled (Left Hand Corner) Calligraphy of a Young Westerner Last Space (Documenta 11), 2002 Transparent Kindergartens Above Streets, 2004-2006 Excerpt from Robert Estermann, Blue Rider by Elisabeth Lebovici in: Robert Estermann. Pleasure, Habeas Corpus, Motoricity. The Great Western Possible Ed. Susanne Neubauer, Kunstmuseum Luzern, Museum of Art Lucerne, edition fink, Zurich, 2007, ISBN 978-3-03746-105-1 Robert Estermann combats this expulsion by throwing it back at the viewer like a mirror or a slap: the silhouette of a child drawn in marker-pen turns away and leaves (Walking Boy), giving tangible form to the tension between hermeticism and desire. making of